the crane
highsteps carefully
a shaded marsh
Published by
Allen McGill
Allen McGill San Miguel de Allende, Mexico aljons at yahoo.com Originally from NYC, Allen lives, writes, acts and directs theatre in Mexico. His published fiction, non-fiction, poetry, plays, etc., have appeared in print as well as on line: NY Times, The Writer, Newsday, Retrozine, Laughter Loaf, Flashquake, Herons Nest, Cenotaph, TempsLibres, Autumn Leaves, Poetic Voices,Amaze-Cinquain, Bottle Rocket, Frogpond, Modern Haiku, World Haiku Review, many others. View all posts by Allen McGill
in keeping with david woody’s assumption, i must stay on track, commentaries to make…
i’ll keep this one brief; the above is a sentence, though it could have read, “the crane highsteps carefully through, in, around, the shaded marsh; with no juxtapose, being continuous, with no break in action, nor is a haiku.
akin more to an explanation…
almost forgot, “in my opinion”
nude beach bath house…
to my
down sandals
in a private stall
raised drain walls
a crane trails
above the water
drips of nectar
from the umbrella tree blossoms —
bee’s ecstatic flight
–
allen,
wanted to say happy thanksgiving, & i can’t
email from work.
ed
thansgiving alone
i order two
with anchovies
closer review —
crane’s path through the lily pads
spies the dragon fly
–