Marianne Paul is a Canadian novelist and poet with a keen interest in minimalist poetry. Her work has been published in A Hundred Gourds, The Heron's Nest, Acorn, Modern Haiku, Bones, Frozen Butterfly, and Daily Haiku. She has recently (and joyfully) been experimenting with concrete poetry and word play.
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6 thoughts on “”
Given all the moon haiku that have been composed over the centuries, I love this one for its assonance in the second line helping me focus on the shape. I also love the way the alliterative "c"-sound of the first and last words are like an embrace.
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I love haiku that could act as an opening sentence to a short story or a novel. This is incredibly atmospheric and makes me think of multiple streams of storylines.
This is gorgeous, deserving of many rereads. It got me thinking about how, like the moon, we are always whole, yet at different times in life through illness and or ageing also partly in shadow … Love it.
Given all the moon haiku that have been composed over the centuries, I love this one for its assonance in the second line helping me focus on the shape. I also love the way the alliterative "c"-sound of the first and last words are like an embrace.
I love moon haiku and this is lovely. I'm thinking the crescent is waning.
I agree with everything Gaby and Nancy say; this is a wonderfully touching haiku.
Bali beach
full moon on
full moon ?
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I love haiku that could act as an opening sentence to a short story or a novel. This is incredibly atmospheric and makes me think of multiple streams of storylines.
Wonderful!
Alan Summers
Call of the Page
This is gorgeous, deserving of many rereads. It got me thinking about how, like the moon, we are always whole, yet at different times in life through illness and or ageing also partly in shadow … Love it.