We begin our new issue 17.1 with a double dose of nature’s visual fireworks. First, there are the myriad of colorful fish darting around this lively coral reef
into the spring mist
the mallard pair
and the mallards to come
scent of cedar
a yellow-bellied slider
from sun to shade
spring like nobody’s watching
daffodils
running wild
among the stones
of an old homestead
voices echo
the farmhouse
where he was born
ripening wheat
birthday card—
onion skins
skitter away
the slow time
between freeze and thaw
what am I waiting for?
returning geese…
do they, too, remember
a childhood home
chilly morning
my spring coat
stays packed
first shoots
the rescue party
making it through
spring blossoms our newborn before language
Learning English
passing clouds
the changing colours
of bougainvillea
Opening grandmother’s handmade notebook at C, I find a carob pod and recall her story
beneath the waves
the pearled words
of oysters
unfolding a map
the ocean
between us
doomsday clock
the scent of rain
before the rain
everything
in its own time
starlight
thunderbolt
a glimpse of the puppeteer?s
fingertips
the world reveals
its tender heart
the singing wren
children’s voices –
the daisies in the vase
unwilt
ballet recital
the parents
tiptoe in
hum
in the honeysuckle
first day of school
first graders model
clay pinch pots
Earth Day
backlit by the morning star blackbird song
flute notes through the summer air sparrows
new moon
the wind in the cypress
a waterfall
Vincent caught up
in the current
This tan renga was written by Steve Hodge and Michele Root-Bernstein.
willow catkins
in the evening wind
notes of Chopin
(First appeared as an Honorable Mention in The 16th Mainichi Haiku Contest, 2013)
birdsong
a boy gently holds
a string of firecrackers
first light
a strand of her hair
between my lips
home alone
the teapot whistles
a single note
late again
a dozen roses
all alike
(Originally published in Modern Haiku, 40.3)
wildflowers
never make
promises
regrets
the way snow gathers
in pine boughs
where is the spring
to lift this weight?
This tan renga was written by Steve Hodge and?Lazlo Slomovits.
my father?s country—
each year he goes home
for the last time
the setting sun
floods potato fields
with crimson
a migrant looks up
at geese flying south
unpacked box
on the kitchen table?
foreign headlines
tears
when
we
have
to
leave
your
height
chart
on
the
door
jamb
waiting for a call
from the son who never calls ?
Mother’s Day
The Look
Two or three times a year I make trips to Chennai to be with my parents for a few weeks. My mother is 85 years old.?I notice every shade of emotion that runs
a good chance
she’ll change her mind ?
sunshowers
the now she returns to dementia
steam rising
through a band of light
winter tea
breaking into
an abandoned house
January wind
in foreclosure
the dream house
we didn’t buy
business lunch
the dialogues
unspoken
after the protest
moonlight on empty
tear-gas canisters
sickle day moon
boys from the county lockup
cut highway grass
pit stop
we water the roadside
flowers
remembrance day
the gate clangs
against its lock
a broken tooth
yet he sees the young girl
naked before him
smiling a wide smile
as she was at twenty
(Included in A Gift of Tanka, AHA Books, 1990)
on the mend . . .
this long afternoon
stitched by swallows
traffic hum
honey bees nesting
in an old pine
Amidst Tricksters
On geyser time, we rise throughout the night with Old Faithful?chilled to the marrow, despite layers and down bags and molten rock a mere
checking email?
the hole in me where
the funnies used to be
rainy day
my loneliness
stays inside
Groundhog Day?
shaving the shadow
from my face
the felled oak
bending to fit
the earth
(Included in Tiger in a Teacup, AHA Books, 1998)
fall migration . . .
many wings beat
against a moon drum
winter ridgeline
a long drawn-out conversation
with wind
filaments of snow
drifting sideways
on the wind--
old pines
shed their ghosts
snow on snow
all the things
we keep hidden
New Year?s Day
last night?s candle
still burning at dawn
our fresh start
to the same old story
A tan renga by?Lazlo Slomovits?and?Michele Root-Bernstein.
a horse gallops
in flickering firelight
Lascaux cave
migrating geese
a girl in a sandbox
plays with trucks
crowded trolley
the conductor composes
himself
green fields flooded the train passing a station without stopping
strumming the ukulele always summer
wedding dance
a bachelor moves in on
the gin
end of yoga
one of the corpses
lightly snoring
(Previously appeared in Yoga-ku, Ed. Terri French, 2014)
on the wrong side of history graveyard tulips
deep fern-gully
the magpie?s warble curls
through mist
gray morning
the sound of
a red canoe
kingfisher
splitting
the river
border attack . . .
lupine seed heads
pop in the heat
home from errands?
a hero’s welcome
from the dog
(Originally appeared in Modern Haiku 44:1, Winter/Spring 2013)
sheltering
against the dawn . . .
thistledown
inch by inch
the inchworm goes
by the book
charity dinner
selfies
first
lightning
the vibration
of katydids
frantic ants
still building
the unlit fire
poems
without verbs
the heat
(Originally appeared in Modern Haiku 46.2)
late-summer quiet
cattails
starting to shred
last one in
a moth enters through
the closing door